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09 Jan

In addition to alluding to his Alpensinfonie, Strauss visited the melodic realm of his then-unperformed opera Die Frau ohne Schatten in ‘Hab’ ich euch den je geraten,’ the ‘borrowed’ melodies soaring above the low-lying vocal writing.

First published by the Viennese firm Eberle in 1904 and likely composed in 1899, the Fünf Lieder of Schreker’s Opus 4 present many challenges to both singer and pianist, challenges that, when met, reward performers and listeners as marvelously as those of the most popular Lieder.

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] More diverting than the travails of Dickens characters in many cases are tales from the careers of creatures more fantastical and enigmatic than even Uriah Heep, Mr. Singers’ lives both on and off the world’s stages brim with great expectations, hard times, and experiences that are at once the spring of hope and the winter of despair. Embodying William Faulkner’s oft-quoted affirmation, conscientious artists prevail.

Amongst the chronicles of bad choices, overzealous ambitions, and abused natural gifts, there are occasional beacons of self-cognizance, well-informed decision making, and unimpeachable musicality, artists whose cognitive abilities are as refined as the products of their vocal cords.

Shining amidst these exemplars of nurtured talent and continuously-honed technique is the career of American dramatic soprano Brenda Roberts.